2026–27 Arts & Theater Guide

2026–27 Arts & Theater Guide

Raleigh’s arts scene is heating up. A diverse cast of theater productions, exhibits, ballet and opera performances, and so much more are set to steal the scene—and up the drama across multiple genres and stages. Consider this your ultimate culture guide to it all.

SEPTEMBER

Hairspray, through Sept. 20
Raleigh Little Theatre | raleighlittletheatre.org

Melissa Etheridge: RISE, Sept. 5
Carolina Theatre | carolinatheatre.org

The Screwtape Letters, Sept 12–13
Fletcher Opera Theater | ​​martinmariettacenter.com

Rachmaninoff Piano Concerto No. 3, Sept. 18–19
Meymandi Concert Hall | ncsymphony.org

Buena Vista Social Club, Sept. 22–27
DPAC | dpacnc.com

PC DPAC
Buena Vista Social Club | Photo by DPAC

Nancy Baker Cahill: Ecologies of Scale, Sept. 26–Jan. 31
NCMA | ncartmuseum.org

OCTOBER

Evil Dead: The Musical, Oct. 1–11
Theatre in the Park | theatreinthepark.com

The Music of Pink Floyd with The Machine, Oct. 2–3
Meymandi Concert Hall | ncsymphony.org

Travesties, Oct. 8–25
Burning Coal Theatre Company | burningcoal.org

Dracula, Oct. 15–Nov. 1
Fletcher Opera Theater | carolinaballet.com

Bizet: CARMEN, Oct. 16 & 18
Raleigh Memorial Auditorium | ncopera.org

Ancient Nubia, Oct. 17–Jan. 10
NCMA | ncartmuseum.org

Dracula: A Comedy of Terrors, Oct. 21–Nov. 1
Theatre Raleigh | theatreraleigh.com

Rosencrantz and Guildenstern Are Dead, Oct. 23–Nov. 8
Raleigh Little Theatre | raleighlittletheatre.org

Star Wars & More: A Space Spectacular, Oct. 23–24
Meymandi Concert Hall | ncsymphony.org

Mrs. Doubtfire, Oct. 30–Nov. 1
DPAC | ncartmuseum.org

Halloween at Hogwarts, Oct. 31
Meymandi Concert Hall | ncsymphony.org

NOVEMBER

How to Train Your Dragon, Nov. 13–14
Meymandi Concert Hall | ncsymphony.org

How to Train Your Dragon | NC Symphony

Nutcracker! Magical Christmas Ballet, Nov. 19
DPAC | dpacnc.com

Jewels, Nov. 19–22
Raleigh Memorial Auditorium | carolinaballet.com

Holiday Pops With Cirque, Nov. 25–28
Meymandi Concert Hall | ncsymphony.org

DECEMBER

The Seafarer, Dec. 3–20
Burning Coal Theatre Company | burningcoal.org

Cinderella, Dec. 4–20
Raleigh Little Theatre | raleighlittletheatre.org

Cinderella | Raleigh Little Theatre

A Christmas Carol, Dec. 16–20
DPAC | theatreinthepark.com

Nutcracker, Dec. 5–6
City Ballet | city-ballet.com

Miss Bennet: Christmas at Pemberley, Dec. 9–20
Theatre Raleigh | theatreraleigh.com

The Nutcracker, Dec. 10–24
Raleigh Memorial Auditorium | carolinaballet.com

Ugly Sweater Holiday Pops | Dec. 11
Meymandi Concert Hall | ncsymphony.org

A Candlelight Christmas, Dec. 22–23
Meymandi Concert Hall | ncsymphony.org

The Nutcracker with a Live Orchestra, Dec. 23
Carolina Theatre | carolinatheatre.org

Mamma Mia!, Dec 29–Jan 3
DPAC | dpacnc.com

JANUARY

Legends of the 60s & 70s, Jan. 8–9
Meymandi Concert Hall | ncsymphony.org

A Midsummer Night’s Dream, Jan. 15–16
Meymandi Concert Hall | ncsymphony.org

Step Afrika!, Jan. 28
Carolina Theatre | carolinatheatre.org

FEBRUARY

Giselle, Feb. 4–14
Fletcher Opera Theater | carolinaballet.com

Gee’s Bend, Feb. 4–21
Burning Coal Theatre Company | burningcoal.org

Puccini: TURANDOT, Feb. 5 & 7
Raleigh Memorial Auditorium | ncopera.org

Waitress, Feb. 5–7
DPAC | dpacnc.com

waitress dpac
Waitress | DPAC

Beethoven Symphony No. 5, Feb. 19–20
Meymandi Concert Hall | ncsymphony.org

Finding Nemo, Feb. 19–March 7
Raleigh Little Theatre | raleighlittletheatre.org

The Music of Motown, Feb. 12–13
Meymandi Concert Hall | ncsymphony.org

MARCH

Dino-Light!, March 4
Carolina Theatre | carolinatheatre.org

The Little Mermaid, March 4–21
Fletcher Opera Theater | carolinaballet.com

Totally 80s, March 12–13
Meymandi Concert Hall | ncsymphony.org

Art in Bloom, March 17–21
NCMA | ncartmuseum.org

Wicked, March 31–April 18
DPAC | dpacnc.com

Star(lit)

Star(lit)

Fete Burning Coal’s 25th with a performance of Life of Galileo under the stars. 

After 25 years of serving Raleighites lit-erate, visceral and affecting entertainment, Burning Coal Theatre Company has more than earned its spotlight. And to celebrate that benchmark, the company is culminating its silver anny with a performance of David Edgar’s adaptation of The Life of Galileo in April. (And as Burning Coal does… it’s gonna be fire.)

The play, which will feature female actor Julie Oliver as famous 17th century astronomer Galileo Galilei (!), tells the story of Galileo’s life through his scientific breakthroughs, personal life and controversy of the time.

“Oliver is ‘eminently castable,’” said Burning Coal artistic director Jerry Davis in an exclusive interview with Raleigh Magazine. To wit, Oliver is not new to the idea of acting in traditionally male roles—she also took on the role of Captain Hook in Burning Coal’s original adaptation of Peter Pan & Wendy and played the lead in The Heretic in 2013—making this her second leading role with Burning Coal.

Ever one to go against the status quo, Burning Coal has pushed boundaries since its first bow. During its first season 25 years ago, the theater company cast an African American actor in a pivotal role (which was rarely ever played by an African American) in the show Loves Labors Lost—and has often had female actors step into traditionally male roles. “I don’t do things for political reasons; I do things for artistic reasons,” explained Davis. “Maybe the artistic reason is that it helps to tell the story of someone who challenged the orthodox.” 

Now, as The Life of Galileo is set to take stage, Burning Coal is upping the X factor even more by staging the performance at Dix Park—because what could be more perfect than viewing a play about an astronomer under the stars?! “Most art forms are done in small spaces,” said Davis of the location choice. “So we wanted to get out of that world, go into another world, and see if the work holds up there as well.”

A full circle moment—it all comes back to Burning Coal’s aspiration from day one to perform more meaningful art via thoughtful and significant performances. Rather than skewing art to make a profit, the theater company has fought that impulse and prioritized art in order to educate and entertain the community. “You have a small space to perform in, and you can fill most of those seats with anything, so why not do the good stuff?” said Davis. “Why not do the stuff that’s important, the stuff that the community needs to hear, rather than picking something just to fill seats?”

Noting the timeliness of this production, he adds: “Galileo is a perfect example of someone who challenged the orthodox and changed the world for the better, which is exactly what we are trying to do.” Challenge exceeded. burningcoal.org