A Clean Sweep

A Clean Sweep

Raleigh couple shares best and worst of the personal and professional

Natalie Perkins has many strengths but a great sense of timing hasn’t always been one of them. 

When the CEO of Raleigh branding agency Clean bought the company in late 2007, the nation was on the brink of the worst economic recession since the 1930s.

“The agency had a great book of business, really talented people and a great client list,” says Perkins, a North Carolina native and 25-year veteran of the advertising industry. “The struggle was, these great corporate giant clients, like IBM, Sony Erickson, John Deere, decided to completely scale back on their marketing. It was a tough time for us. But we survived.”

Not only did Clean survive, but it has grown and prospered. 

Since Perkins took the helm, the 21-year old agency has tripled in revenue, square footage and staff size. In 2013, Jeremy Holden— a nationally recognized advertising strategist and author, who just happens to be Perkins’ husband— came onboard as Clean’s president and chief strategy officer, bringing with him three decades of experience guiding the visions of internationally known brands at agencies in Europe, New York City and recently, Durham’s McKinney. 

Perkins credits the firepower that Holden brought to the agency with its growth and success. Holden says it was Perkins and her team’s work maintaining relationships with clients through the recession that brought the agency out on top, plus her “tremendous business brain, classic marketing and market research background, and deep roots in the community.”

Mostly though, they both agree, it’s the company’s deep well of talent and a blend of their two differing but complementary personalities and skill sets that have positioned Clean as one of the most competitive integrated branding agencies in the southeast. For Perkins and Holden, theirs is a partnership that, for their more than ten years together, has guided and supported them through some of the most joyous ups, as well the most crushing downs, in both their personal and professional lives. 

How They Met

Perkins and Holden have known one another for 25 years, and they often collaborated in the course of their professional careers. Holden, a native of the U.K., moved to the U.S. in the mid-90s, and freelanced for an ad agency that Perkins ran in Greensboro, marking the first time they met.

“We often say it’s bizarre we ended up finding each other,” Holden says. “But circumstances bring people together.”

“I think it was fate,” Perkins adds. “There were two or three times our paths could have crossed before they eventually did.”

Perkins is bubbly, quick to laugh, and knows how to work a room. Holden has a wry sense of humor and while he hates mingling in a crowd, he feels at home on a stage presenting to thousands of people or alone at a desk banging out words onto a page. At Clean, they’re two separate entities entirely, and often, their employees don’t realize they’re married until weeks into the job. At home, they say, they never argue and they love traveling together, especially to their mountain house with dogs Stella and Wally. 

Holden and Perkins married ten years after they met, shortly before Perkins bought what was then known as Clean Design (the company rebranded this May and dropped the “Design” from its name). With a strong creative team headed by partner and chief creative officer Scott Scaggs and creative director Glen Fellman, Clean grew its reputation by adding new services, such as public relations and enhanced digital and media capabilities that attracted more and more high-profile clients. 

Perkins stayed busy running the company and giving her time to various charitable organizations in the community, including serving on the boards of the Girl Scouts of North Carolina, Coastal Pines and the Greater Raleigh of Chamber of Commerce. Holden published a nonfiction book, “Second That Emotion,” in 2012, which looks at how people form affinities to brands and social and cultural movements. 

But recently, and seemingly out of nowhere, disaster struck.

In August of 2015, Perkins was troubled by a persistent cough that her doctors couldn’t get to the bottom of. As a last resort, she had a piece of her lung removed for analysis. The diagnosis was devastating: Perkins had an extremely rare genetic mutation, known as ROS-1, where a protein emitted inside the carrier’s body causes lung cancer.

“It’s an incredible thing, to be told you have lung cancer,” Perkins says. “It’s the last thing I expected. And when you start trying to figure out the odds of surviving…it’s a terrible disease, with an awful prognosis.”

Perkins immediately underwent surgery at Duke Medicine, and she works with a preeminent local oncologist, Dr. Jennifer Garst. Ultimately, though, Perkins was fortunate that the pharmaceutical company Pfizer had just released a breakthrough drug that previous April; the drug suppresses the cancer-causing protein emitted by the mutated gene in the carrier’s body; think of it as turning off a spigot. 

“I’m grateful for so many things,” Perkins says, noting that many patients never have any symptoms of lung cancer and aren’t diagnosed until it’s too late. For most people, chances of surviving the disease are less than 1 in 5. Perkins takes medication daily and researchers currently are working on second and third generations of the lifesaving drug, in case the cancer-causing gene becomes resistant to it. 

“For somebody who got hit with lung cancer, you will never find somebody who has more gratitude than me,” Perkins continues. “You never beat this thing but you find a way to live with it. And then I’m married to [Holden], who couldn’t be a better caregiver. I thank God every day for what I have.” 

Getting It All Done

Holden now sits on the board of the Lung Cancer Initiative of North Carolina and the couple is passionate about supporting lung cancer research and ensuring that people in all 100 counties of the state can access the care they need when diagnosed with the disease. 

Between his charitable work and his job at Clean, as well as his passion for travel with Perkins, Holden has also managed to find the time to write two novels in a mystery series with an everyman-type protagonist, Mal Thomas. The first novel in the Mal Thomas series, “Sea of Doubt,” tackles the alleged second coming of Christ and was released in 2016 to critical acclaim. The sequel, “Valley of Time,” which deals with space travel and the possibility of alien life, was released last month. A third novel in the series is in the works, to be released next year. 

“I wanted to take Mal, who is slightly flawed, and put him in extraordinary situations where he has to deal with incredible events,” Holden says of his books. “When I decided, I wanted to have a movement in the modern era at the heart of the books, [these events] seemed like fascinating pretexts.” 

Holden says he is easily able to compartmentalize his writing and professional lives, though when he’s on a writing streak, he sleeps as little as three hours a night—waking up at midnight and writing until 5 a.m. before going into work— for several weeks at a time. When he’s got writer’s block, Holden swims laps in a pool to enhance characterization or tighten up a plot line. 

“There’s a myth about creative people, that they’re scatter-brained,” Holden says. “I’ve found most creative people who are really good at what they do are incredibly structured in the way in which they live and work.” 

Holden says when he’s ready, he’ll retire from Clean and work full-time as a writer. But that likely won’t be any time soon. 

The agency, now comprised of seven departments with 65 employees, is the fastest-growing agency of its kind in the state and it has a lot more growing to do. By the end of the year, Clean will have expanded its offices on Six Forks Road to 13,000 square feet of space. And it seems that, as it grows, the company’s reputation is growing too, both with clients and with its employees. Last year, Clean’s employees rated it the best local, mid-sized company to work at in the Triangle Business Journal. 

“From the time I started running this agency, my mantra has been ‘people first,’” says Perkins. “It’s not clients first, but people first, and the people here know I will support them and back them all day long.”

That, says Holden, creates a ripple effect.

“You start to attract more of the types of clients who want to work with companies that treat their people well,” he says. “And the best clients get the best work, always have, and they want a true partnership and buy into the expertise of the agency.” 

It’s been a winning formula at Clean for ten years. Perkins, whose timing may not be perfect but whose leadership comes pretty close to it with Holden by her side, looks forward to steering the agency for the better part of ten years more. 

A Sip Or Two From Italy

A Sip Or Two From Italy

This fall, Lindsay Rice, owner of downtown’s luxurious wine bar Vita Vite, visited Italy to learn about winemaking from the Old Country masters. She shares a red wine and a white, curated specially for the discerning tastes of Raleigh Magazine readers. Either wine would make a perfect companion to any upcoming holiday meal.
Dei Vino Nobile di Montepulciano, 2014

I fell in love with all of Tuscany but especially with the town of Montepulciano. Here, they make the prestigious Vino Nobile, and the Cantine Dei company produces a wonderful example of it. Made from the sangiovese grape, the wine is both full-bodied and bright, with a balance of tannins and fruit. With its contemporary design and methods of production, Dei fits perfectly into the modern world while honoring the history and tradition of wine production in the region.

Fattoria Corzano e Paterno ‘Il Corzanello’ Toscana Bianco, 2016

One of my favorite Italian whites for fall, this is a blend of chardonnay, trebbiano, semillon and malvasia that’s medium-bodied and ideal for sipping as the weather cools and the humidity abates. The Toscanno Bianco, crisp and dry, pairs perfectly with cheese and charcuterie. The winery of origin is located half an hour south of Florence, in Chianti. When we visited in September, we met the winemaker, tasted cheeses made from the milk of sheep that live on the property and sampled olive oil that’s produced there, too. Sip the wines of Corzano e Paterno and savor a glimpse into the Tuscan life!

Hoodie Hype

Hoodie Hype

Steven Markovitz sounds sleepy when he calls my cellphone at 11 o’clock on a Friday morning.  

The rapper/singer/MC known as Hoodie Allen explains he just woke up and has an hour to get to band practice. He has reason to be tired—he just released his third studio album, The Hype, and has been touring and making music full-time, nonstop, since the end of 2011 when he walked out of his job at Google.  

The Hype is like and unlike Hoodie’s earlier projects including, especially, his first EP, 2011’s All American. The layers of pop culture references, the jokes, the stream-of-consciousness-sounding rhymes and flows that Hoodie is known for are all still there as with his 2013 mix tape and previous studio albums.  

But there’s also a more grown-up sound to The Hype, an occasional R&B soulfulness in sung lyrics and a willingness to grapple with deep ideas such as commitment, disillusionment, self-improvement, and the complexities of relationships.   

“It comes back to a root sound of mine and things I do stay in that box,” Hoodie says. “But a lot of [longtime] fans are resonating strongly with this album, feeling like it evokes some of those early early projects.” 

Markovitz, 29, a self-described “Jewish kid from Long Island” came of age the same way many Millennials did: watching Adam Sandler movies, listening to east coast hip hop from the likes of Nas and the Beastie Boys, Outkast and Wu Tang, but also the pop-punk sounds of Sum 41 and Blink 182.  

Hoodie’s debt to popular culture is significant, from his namesake to his colorful music videos to the perpetual shoutouts to films, TV and celebrities from the ‘90s through the ‘00s that permeate his songs.  

“It’s my way to be tongue-in-cheek and put my own little Easter eggs in there,” he says, adding that he draws on pop culture for his lyrics in the same way he draws on musical influences: not imitatively, but unconsciously. 

“The sounds and ideas I gravitate toward feel like come naturally,” he says. “I love a lot of the current music sounds, trap sounds, what people even call mumble rap I love, but if I was doing something just to ride a popularity wave, I wouldn’t have the fans that I have.”  

The Hoodie Allen musical persona is enigmatic, or at least, not straightforward but it’s consistent: themes like friendship, sudden wealth and a circumspect approach to love bind together Hoodie’s songs. While he expresses a proclivity for models, pretty, heartless girls and “young Winona” (Ryder, presumably) lookalikes, a desire for someone genuine, “a smart one,” is usually there, even when, on the surface, it’s not.  

In Lucky Man, the first track from his fist album All American, Hoodie describes being the type of guy who “hits the florist” in the morning for the girlfriend he partied with, and took home, the night before. In the very next song, No Interruption, that old-fashioned facade is gone: “she’ll be paying for the date,” he insists.  

Similarly, in the song Fakin’ from The Hype, approaching Drake-levels of angst Hoodie describes how he’s “not that nice of a dude,” at least not to the ladies in it for the Instagram likes. But “oh my God, you’re a goddess, I’ll never break a promise to you,” he half-sings, half-raps on the album’s Mad. He’s parsing inadequacy feelings a woman rouses in him: “I feel unqualified, you Donald Trump me,” he says.  

Then, in Play the Field, Hoodie’s ambivalent once again: “Let’s not get married, let’s wait till we’re older, if you really need that rock, Im’ma put you on a flight, take you straight to Boulder.” Or, is it true as he raps in All for Me “I love you like a French kid loves crepes”—or, is it just clever?  

Hoodie’s ups and downs are endearing and his soul searching feels authentic. His musings on young adulthood, sudden fame and love or the lack of it are deftly delivered, couched in canny wordplay, catchy hooks and compelling beats. Hoodie Allen is talented, honest and his music is irresistible; expect his Raleigh show, like his songs and music videos, to be energetic, memorable and fun.

Worldly Couture

Worldly Couture

Korean-American designer Mi Jong Lee was born in Seoul, South Korea and traveled the world extensively growing up, thanks to her father’s diplomatic career. Lee’s experiences in Spain, Mexico and Costa Rica have a profound influence on her work as a clothing designer, shaping the colors, textures and cuts you’ll find in her exquisite pieces. This fall, Lee brings an exclusive women’s ready-to-wear line from her studio in New York City to Raleigh’s C.T. Weekends. We chatted with Lee about how her worldly childhood has influenced her designs. 

How did your travels and multicultural upbringing influenced you most?

I am Korean, who is a Latina, who loves ‘El Greco.’ I speak Korean with my mother, English with my father and, occasionally, Spanish with my brother. I’m so grateful for this gift as it taught me how diverse beauty is in the world and how rich the human spirit is that mines and expresses this beauty in art, culinary culture and individual personalities. A broader embrace of the world enriches the foundations of our characters and our understanding of humanity.

Of the many places you’ve been, where do you like best? Why?

That would be like choosing a favorite child. I love Mexico, where my childhood was formed. The richness of Mexican culture, the color and artistry, it’s a place that I continually return to. But my favorite memory is from Costa Rica, where I went on a senior trip and immersed myself in the rainforest jungle for two weeks. The colors of the flora and fauna there will never leave me.

Are there examples of these experiences reflected in your collections? Which designers do you admire?

I love the colors of Frida Kahlo (Spring 2018); the Ying and Yang of space and the lineal dance of Toko Shinoda brush strokes (Fall 2017); the flow of Arabic calligraphy of Zaha Hadid architecture (Fall 2016). I have always loved [designer] Geoffrey Beene, as the timeless master he is. Also, Dris Van Notten for his eclectic interpretation of texture and colors.

Mi Jong Lee CollectionYour fabrics are beautiful, we love the Calla Lily and lace for Spring 2018 designs. Do you find fabrics, then design, or design and then find your fabrics?

Each season, I design an original print inspired by the theme of the collection. When I decided on Frida Kahlo and Mexico as the inspiration, Calla Lilly seemed to portray her fragility, but also her defiance and spirit of empowerment. I had sketched these Calla Lilies about ten years ago and it just fit perfectly. Once I decided that, I picked from fabrics I had chosen in Paris. I worked with various mills to develop the embroidered lace, with the colors of Frida and Mexico. The designs flowed from that process.

Your designs are powerful yet feminine. Can you tell us about the type of woman you think about when designing?

My vision of the collection is ‘real women, real clothes.’ I design for the woman who embraces her femininity without compromising her intelligence and empowerment. Thirty-five years ago, when I started, strong, intelligent and ambitious women had to dress and act like mini men. That has changed so much, and this new generation of women can embody all of what they are, without compromising their femininity. I lived this progression with these women, and I celebrate it!

What’s your favorite piece in the Fall 2017 collection?

All the hand-painted, gold brush stroke pieces! There is a black, high-waisted pant that has hand-painted gold brush strokes on one side of the leg. It is tied with a thin obie-like belt. The midnight blue alpaca coat has the gold brush stroke too, as well as a collage of red stitches and organza. 

The interview was edited for clarity.

A Very Vintage Weekend

A Very Vintage Weekend

Glamp it up at the State Fairgrounds

For the first time in Raleigh, fans of all things retro have an event to call their very own. Head to the State Fairgrounds over Veteran’s Day weekend for the Vintage Fan Fair and take in the nostalgia: products and services from vintage vendors, old-school entertainment and activities, and classic car and trailer collections.

The event’s “Glamper Showcase” will feature more than 20 vintage campers, all open for you to tour. Victoria Ocken, author of the book “Vintage Trailer Voyeur,” a chronicle of vintage campers and their owners, will visit the fair on Friday and Saturday to meet the public and sign books. To get you in the spirit, we asked Ocken to share an excerpt from “Vintage Trailer Voyeur:”

“The Alaska-Canadian Highway in the 1960’s, with its many steep grades, switchbacks, dusty dirt surface and few guardrails is the background for some of Lori’s most treasured memories. A trip of a lifetime (especially for a nine-year old) Lori and her sister traveled the fabled route with her mother and father in a classic canned ham trailer, a Trail-Along. The unpaved road lead to some challenges as they stopped at night to a dust covered trailer, but her father was inventive and found an old oriental carpet to drape over the trailer to keep some of the dirt out. Add to that the caribou horns he procured for the car hood and you had quite a sight, especially on the return trip when traveling through the city. Memories like this last a lifetime, and you never know what will bring them to the surface fresh as the day they happened. For Lori it was an ordinary Saturday and a chance encounter at Barnes and Noble where a small group of vintage trailers were gathered for a book signing. One look and all the feeling came flooding back more powerful than ever imagined. She needed a trailer. After many disappointing missed deals, The Jolly Rancher entered her life. The warm birch paneling, the sweet wooden screen door with a little sliding door and the authentic soul of the camper were all perfect, but what sealed the deal was the layout. It was identical to that little camper that traveled the long road when she was nine. She was smitten. Lori can sit in the camper and go back to a simpler time, a time of adventure and wandering. Its walls are familiar like no other place can be. She is home, on the road again, with her parents watching from afar smiling and laughing with her.”