A-Hoping for Raleigh

A-Hoping for Raleigh

RM chops it up with Old Crow Medicine Show

Americana music has always had a unique kind of patriotism. It tends to avoid the shadow of imperialism or—dare we say—anti-intellectualism that mainstream country music sometimes preaches, and instead totes patriotism for the people, by the people. 

So when old-time crooners Old Crow Medicine Show set out to make a “patriotic” album, they aimed their focus on people—not parties—percussionist, vocalist and banjoist Cory Younts tells RM. Their newest record, Union Made, drops June 5 amid a ~six month U.S. tour—including a stop at Koka Booth Amp in Cary May 28.

Commentary that felt fitting—or at least pride in their country—didn’t come easy at first. “Management didn’t want to use the word patriotic,” emphasizes Younts, “but wanted some sort of tribute to the 250th anniversary of America. Let’s face it: Who’s proud of America right now?” 

Despite starting out discouraged, Old Crow rose to the occasion to make an album for everyone. “How much longer will it be before we reach as one, torn apart and divided by the colors that we see, refusing to believe we’re all in the same family,” sings the track “Beautiful Land,” calling out the steep and often nonsensical divide through the country. “[OCMS frontman] Ketch loves to—as he says—get the hippies and the rednecks together,” notes Younts. 

Bipartisanship has always coursed through the Nashville-based band’s blood. What other band would open for staunch conservative Hank Williams Jr. only to later feature blatantly leftist folk artist Jesse Welles in an opening track? Younts tell RM that while they wanted Welles on the record, he didn’t have a hand in writing the opening track “Howdy Do America”—he only had a voice in the vocals. 

“That song is very Fozzie Bear and Kermit to me,” quips Younts. “It’s very moving right along.”  

Also gracing Union Made is Merle Haggard’s influence via a cover of “Rainbow Stew,” a whimsy and hopeful (at least by Haggard standards) deep cut. “Merle didn’t perform it the way we do,” says Younts. “We listened to it, and ‘I said, you know, we could double time this and make it our own,’ and we’ve been performing that pretty much every night.” 

On top of “Rainbow Stew,” OCMS is still happily strumming “Wagon Wheel.” The show may be in Cary, but the line “If I die in Raleigh, at least I will die free” will hit close to home no matter where you are.

Raleigh Mag Chats With Mt. Joy

Raleigh Mag Chats With Mt. Joy

The indie-rock band chats with RM ahead of their show.

Mt. Joy seems to be everywhere, all the time. The indie-rock five piece is set to play Koka Booth Sept. 23 on their Hope We Have Fun tour—marking their fourth local set in as many years. 

A jampacked schedule is nothing new for the group. Since the 2016 release of their debut single,  “Astrovan,” Mt. Joy has been on the move—cruising from small venues (think The Pour House, Lincoln Theatre and Cat’s Cradle) to opening up for the likes of The Lumineers and The Head and the Heart to headlining festivals and playing nationally broadcasted sets. 

Despite now boasting a literal mountain of accolades and millions of fans, the Philly-based band refuses to lose focus of their music—their song remains the same. “I just think we’ve gotten better as a band, as we’ve gotten to play with each other,” guitarist and vocalist Matt Quinn tells RM. “To me, that’s the biggest thing. And, then, you know, we’ve experienced a lot in life since then—so hopefully some of that is shining through too.” 

Their years together echo in their chemistry—reflected in production, performance and dynamic—but their sound hasn’t grown up, only out. And despite the momentum, success hasn’t altered their songwriting process: “Expectations can definitely mess with your head,” he says. “We try to keep it simple—just make songs we love and let the chips fall where they may.”

On their latest record, Hope We Have Fun, those chips fell in favor of their classic sound: firmly rooted in rock with a signature indie crunch. Some moments—like a feature from recent indie breakout Gigi Perez—add a fresher feel, but, at its core, the band doesn’t overthink their sound.

When asked about standout tracks, Quinn points to “Pink Lady” as the clear fan favorite—and while he is “not really surprised,” they’re not complaining because it’s such a fun tune to play live and jam out to. And jam seshes are both a given and welcome at their shows, with smooth transitions into covers by everyone from The Flaming Lips to Grateful Dead to Gorillaz.

“We try to bring songs we love to our shows as much as possible,” muses Quinn. But the band finds its way back into their groove. So, prepare to head to Koka Booth this month—there’s room for everyone on Mt. Joy. boothamphitheatre.com