Bouncing off the Walls

Bouncing off the Walls

Expanding what is humanly possible while flirting with danger and living life on the edge (literally) is Bandaloop, a 31-year-old woman-founded dance group that uses climbing technology to defy gravity and challenge what is possible. Bounding into Raleigh from their Cali home base, the internationally recognized troupe made symbolic leaps and bounds to fete real estate development firm The Fallon Company’s grand opening of the 301 Hillsborough tower at Raleigh Crossing, aka a dynamic addition to DTR’s skyline serving up 19 stories of striking design via its angular glass facade—NTM 280,000 square feet of office space (currently leasing floors to Pendo) with 12,000 square feet of ground floor retail—to the budding Capital District.

“They say what we do  is death-defying.  I’d say it’s life-affirming.”

—Amelia Rudolph, founder, Bandaloop

“This building is the reason we are here,” says Bandaloop Artistic Director Melecio Estrella. “It’s an honor to work with The Fallon Company, especially with someone like Joe Fallon who understands the power of public art and dance, and works with artists to champion public art. Bandaloop has danced on 330 sites worldwide, and these glass buildings with such height are one of our prime stages because of the reflection and how they become almost part of the sky.” Clearly the sky is not the limit. bandaloop.org 

Doing It For The Kids

Doing It For The Kids

How the couple behind C.T. Weekends helped save Community Music School.

Kristi Hipple and Dennis Mayfield, the owners of the eclectic Cameron Village boutique C.T. Weekends, exemplify the theory that opposites attract. For one thing, as one of four girls growing up in Wisconsin to a mother who was a piano teacher, Hipple’s life revolved around the arts.

“We all played in the high school band, we sang in the choir,” she says. “Music was such a big part of our lives.” Not so, Mayfield.

“I was asked not to play an instrument in school, because I was bad,” he says, face deadpan. “In the cantor in my synagogue, one of my best friends suggested I didn’t have to sing along.”

Regardless of any disparities in talent, the couple shares a deep commitment to promoting music and the arts, and their efforts in these realms, as well as their work with animals and women’s wellness issues, reflect the values they hold dearly. Their contributions haven’t gone unnoticed—next month, Raleigh’s Community Music School will honor Hipple and Mayfield with its first-ever Award for Philanthropy at a Broadway inspired musical event at the North Carolina History Museum.

Barely a year ago downtown’s Community Music School—a nonprofit that has taught low-income children to play a variety o instruments, sing, and perform in musical theater for nearly 25 years—was on the verge of shutting down. Due to what the school described in a statement as “insufficient fundraising,” among other problems, it found itself needing to raise more than $100,000 in three months.

“It was a terribly dark day for the school,” recalls CMS board member Cindy McEnery. “But sometimes bad news brings good news. The cry went out that we could have to close unexpectedly, and the community came to our aid. And the people who stood behind the tables and did everything in their human power to help us, were Dennis and Kristi. They opened their hearts to the school in an unbelievable way.”

The couple has been involved with CMS for several years, raising money to benefit the school’s students through annual fashion shows and other events and stepping in with support at a time when public funding for the arts started to fall off. Students from CMS perform regularly at their store and when they heard of the financial crisis the school was experiencing, the couple took action quickly, selling picture-postcards of their shop dog, Porkchop, and offering in-store discounts to customers who made gifts of $25 to CMS.

“Our financial contributions weren’t huge,” Hipple says. “As much as anything, we tried to help give them some exposure, so people would be aware of them and what they’re doing.”

One evening this winter, Hipple and Mayfield met with McEnery and their mutual friend, Alan Campbell, the Tony-award nominated Broadway and television actor who settled down in Raleigh five years ago to help raise his 13-year-old daughter, Riley. Over dinner, the group hashed out a plan for CMS’s third-annual major fundraising event: a Broadway revue starring Campbell, the formidable singer/songwriter and corporate lawyer Yolanda Rabun and Campbell’s Broadway colleagues, Kathy Voytko and Kevin Kern.

Campbell says the event’s performance will be an hour-long Broadway-musical theater-based production, with a mix of jazz and rock-and-roll classics sprinkled in. The goal of the evening will be to raise money through ticket sales and cash gifts to benefit CMS, with corporations such as Paragon Bank, Blue Cross Blue Shield and Smith Anderson sponsoring. Local restaurants and performing arts companies have chipped in meals and tickets to a donor raffle.

McEnery thinks the October event will sell out quickly and adds that, after re-envisioning the school’s mission, reaching out to community partners, and upping its fundraising work, CMS hopes to open its doors this fall to 120 students, up from last year’s 107. McEnery says she doesn’t believe the school will ever face having to shut its doors for lack of funds again.

Campbell, who has known Hipple and Mayfield for several years, says he appreciates the passion that the couple imparts.

“They come to every show, they see everything, they’re always there with a check in hand,” he says. “They do that with so many organizations. They’re just really present and show support, with their presence and with their finances. They’re a blessing. That’s a gift.”

If you’re interested in supporting the Community Music School or attending Broadway Believes at the N.C. Museum of History on October 3, email Community Music School at [email protected].

Hero Worship

Hero Worship

The unmistakable sound of organ chords fills the air, as the band plays The Door’s hit, “Light My Fire,” electrifying the stage. The Door’s lead singer Jim Morrison died more than 45 years ago; however, tribute band Mojo Rising is bringing the iconic band’s music to a new generation.

“It takes a sincere passion for the original band and their music to play tribute and Mojo demonstrates this in every show,” says lead singer Billy Baty. “Our goal is to honor The Doors and their music by keeping it alive and active in the music scene and maybe turning on a few new listeners of the next generation in the process.”

Tribute bands in the Triangle are becoming increasingly popular with performances spanning a wide range of genres from the beach music of Jimmy Buffett to legendary Johnny Cash to rockers AC/DC.

“I get to dress up and emulate one of my guitar heroes and play the music I grew up listening to,” says Jeff Young of Thunderstruck, a local AC/DC tribute band. “Feedback from fans is always positive. They love seeing the band because of the nostalgia and how it brings back memories of high school or their first concert.”

The band members of Joe Hero, a Foo Fighters tribute band, started playing covers of the band that influenced their musical careers, and it turned into a regular gig. While Bad Incorporated was born almost two years ago from Neil Wells’ dream to play tribute to idol Paul Rogers of Bad Company. While Beatles-inspired band, Liverpool, wanted to celebrate the magic of Paul McCartney and John Lennon.

“As we pay homage to their music, we notice how the music reaches all ages,” says band member Scott Gibbons. “Most of the songs are love songs with PG lyrics and not only do a lot of people know the words, their songs inspire people to dance.”

These bands take celebrating iconic musicians very seriously, and they recognize that fans are there to enjoy the original music. “For the most part they aren’t there to see or hear us. We never forget that. Our fans are there to enjoy the music of Johnny Cash,” says David Burney of Johnny Folsom 4, a band who has been paying tribute to the Man in Black for the last eight years. “Nothing could be more fun, nor more of an honor, than to play the music of Johnny Cash. He recorded 1,500 different songs and many different styles over a long, legendary career. It never gets boring. It always inspires.”

Liverpool tries to authentically replicate The Beatles recordings by using vintage amplifiers and guitars, an effort than fans appreciate. This engagement with the crowd is a key element at performances with people often singing along. “On so many occasions, the crowd would sing along so loudly, I could not hear myself sing,” says Mojo’s Baty. “We consider that the biggest compliment ever!”