Downtown Voices

Downtown Voices

Nearly 11,000 people live downtown and for newcomers and civic novices, it can be hard to figure out how to get involved in local government decision making. Leo Suarez and Dylan Bouterse, downtown Raleigh residents and founders of the new Downtown CAC, want to help show folks the different ways.

Unlike Raleigh’s 19 other CACs (Citizen Advisory Councils), the Downtown CAC, which launched in August, is not affiliated with the City of Raleigh. Downtowners who join the group—it is open to all—already belong to one of a handful of official CACs, citizen-led groups that meet monthly where residents discuss issues pertaining to their districts and neighborhoods and, if they reside within the CAC’s boundaries, may vote on development proposals (such as rezonings). Votes are reported to the City Council.

The five to six official CACs cover different swathes of downtown’s geography but the volunteer-driven Downtown CAC covers it all. Led by a group of around a dozen planning team members, the Downtown CAC doesn’t hold formal meetings. Instead, members gather once a month at restaurants and bars to meet, mingle and talk about downtown issues. They also receive a newsletter and interact online through Slack, the Downtown CAC’s website and social media channels. The goal, the founders say, is for people to meet other downtown residents and learn how they can get their voices heard on issues that they care about.

“If there is an issue that you’re interested in, we want to route you to the right place,” Suarez says.

Part of the idea for the Downtown CAC arose from the “abysmal attendance rates,” in Bouterse’s words, at official CAC and other City meetings.

“I think there is a problem there,” he says. “I don’t think it’s necessarily the fault of any particular CAC but attempts to engage a new concentration of residents, largely made up of renters, are not very effective. We are hoping to come up with a creative way to get their attention, let them know they have the opportunity to have a voice whether it’s by a vote at their CAC or a public hearing in front of a commission or the City Council.”

Renters, especially, bring fresh perspectives, Suarez says, and are “ready and willing to get in and give some feedback.”

“If we can hook them with a different, simple way of feeding them into the system, I think we could activate more people to attend city meetings and the city can get a more varied view of how people really think about some of the stuff that’s coming through,” Suarez says.

“We’re not here to push an agenda,” says Bouterse. “It’s about trying to get other people to know where and how they can have a voice, not what voice to have.”

Learn more about the Downtown CAC and subscribe to the newsletter at downtowncac.org; follow the group on Twitter and Facebook or attend the next social mixer at Transfer Co. Food Hall on October 23.

Vinyl Revival

Vinyl Revival

For many in Raleigh, enjoying vinyl is about sharing music—and experiences—with family, friends, fans and the community at large.

When Jed and Stacy Gant find a few free moments at home, they listen to music on vinyl.

The downtown Raleigh residents and their two children, Nora, 6, and Oliver, 10, pick out a record from the couple’s collection of around 1,200. Each family member chooses a song to play from the others’ selected albums. The kids set the records on the turntable and position the needle; the parents talk to them about the bands, the songs, the essential album art.

“It’s connecting the dots to music history almost,” Jed Gant says of the tradition his family created, dubbed ‘Record Surprise.’ “Usually my kids run around and go crazy listening to the music. The other night, we got disco ball lights and outfits and danced around to the Rolling Stones, just acting goofy. They’re enjoying the music. We try not to make it too serious but I want them to learn and understand a little at the same time.”

Some love to collect it. Some love it for the visual art, or the old-school sound, or the physicality of putting it on and watching it spin. Some see it as another way to support their favorite bands, like buying the T-shirts and merch, and some just like to kick back with it on a Sunday morning. And many love it because, unlike streaming songs on your phone and listening through your ear buds, vinyl is an experience you can share with others.

Whatever the various reasons, the resurgence of records is in full-swing in the digital age—vinyl is on track to outsell CDs for the first time since 1986, Rolling Stone Magazine reports—and nowhere is that more apparent than here in Raleigh.

Last month during Hopscotch weekend, the unofficial kickoff to the city’s annual, month-long celebration of all things art and music, The Pour House owner Adam Lindstaedt announced the newest addition to the city’s robust record retail scene.

Lindstaedt is transforming the second floor of the venerable downtown music hall into a record shop. Open seven days a week and to be run—in true family business style—by his wife, Lacie, the shop will stock around 10,000 titles and will persist as an open space overlooking the Pour House performance stage, meaning patrons can watch bands set up and run sound check while they browse. When the shop closes in the evening, it will moonlight as a full-service bar; records will be locked into storage bins that will double as tables and you’ll still be able to watch your favorite bands and artists perform from an elevated vantage point (just with nicer, remodeled bathrooms).

“There’s not a really good hangout spot for the music community to gather outside of shows,” Lindstaedt says of his vision for the new space. “When I was growing up, I hung out at record stores all the time. I met people there, started bands and developed friendships. It’s an easy way to be somewhere where you know like-minded people will show up, talk about music, talk about beer, learn something new.”

The Pour House Record Shop is expected to open October 19.

The Pour House Record Shop is expected to open October 19.

Sales of vinyl have increased steadily since around 2006, right around the time that the listening experience began shifting away from CDs to digital and online streaming. Music and consumer experts can debate all the factors driving the resurgence of vinyl, but for many folks in the Triangle, records as a medium for music never really left.

“We’ve always sold records,” says Enoch Marchant, who co-owns the two-decades-old Nice Price Books on Hillsborough Street (and Nice Price Jr. in Oakwood) with business partner Brian Shaw. “I started buying records in high school. For the young kids, the new generation, most people forget they never even owned CDs or music on any physical format. Now, if you stack up a record next to a CD, the record compares very favorably.”

“There’s something more artistic about vinyl,” says Gant. “I used to collect CDs. A lot of people took them out of their plastic cases because they felt cheap. [CDs] are not as tangible, you have to go through a layer of plastic to get to the album art. And they’re delicate. My kid could throw one on the ground, slide on it once, and it’s done. There’s a sturdy nature to records.”

There’s also fun to be had in shopping around for music on vinyl in thrift stores, rifling through dollar bins, searching for rare finds and collecting. Gant belongs to a record club called Vinyl Me Please, which sends subscribers three new albums per month. If you don’t like an album, you can swap it through the club’s website or trade it in at one of the local stores. And though you don’t have to buy rare, expensive albums to enjoy vinyl—listening to something janky can be enjoyable for the nostalgia factor alone—some collectors delight in finding limited edition copies of albums modern music labels press and put out.

“The days of going into a record store and it being all dudes in their 60s are done,” says Lindstaedt. “You go to any shop around town now and you see people in their teens, 20s and 30s, men, women. People of all walks of life are getting into it.”

Young artists, too, have a growing appreciation for the perks of releasing their music on vinyl.

Triangle-based artist Dallas Casper—whose self-described “indie alternative” project Apparitions of Myself released its fifth album, “Lucid Dreaming,” last month—decided to forego the streaming services and instead released 100 copies of the album on vinyl, exclusively, for the first six months. The artist, whose offstage name is Justin Eyster, says releasing initially on vinyl made more sense to him from an economic and marketing standpoint.

“I spent years and thousands of dollars on this record, so it wold be great to recoup some of that investment,” says Eyster, who, in the past, paid fees of around $50 apiece to list his albums on streaming services like Spotify, Apple Music and Google Play (they pay artists roughly 0.006 cents per stream). “With streaming, I didn’t even recoup the cost from listing on the digital services, let alone the recording costs, mixing, mastering, travel, graphic design, equipment. So to me, streaming is like giving it away for free.”

Catch Dallas Casper and Apparitions of Myself’s “Lucid Dreaming” release party at The Pour House October 8.

Catch Dallas Casper and Apparitions of Myself’s “Lucid Dreaming” release party at The Pour House October 8.

From a marketing standpoint, too, Eyster says vinyl is useful. A record that people can hold in their hands makes a big impression for an indie artist, he says, and helps make it easier to “cut through the noise” of what’s available online.

“Everyone’s on streaming, you go to shows and people are practically begging you to look up their album on Spotify,” Eyster says. “It takes a lot of effort and upfront investment to have vinyl made and it shows that you’re serious. I want to cater to the people who are paying attention to me and put my album on the preferred format for people embracing my music.”

Though vinyl has its to-varying-degrees devotees, it’s clearly not for everyone. Vinyl takes up space, isn’t really mobile and can be inconvenient. But music lovers agree, there’s a place for vinyl, and there’s a place for streaming, and neither is inherently better in how we choose to enjoy music these days. Like most commodities we consume, it’s intensely personal.

“We could debate the merits of streaming services all day long, but with vinyl, it’s more of a commitment to, ‘Yeah, I like that music, I’m going to make sure I have a copy,’” says Lindstaedt. “Anything you can take away, and look at outside the clutter of a phone or computer, is more.”

“We’ve probably gotten close to the peak of what [the vinyl trend] is going to be,” says Nice Price owner Marchant. “We’ve added lots of new vinyl buyers. I don’t know if we’ll add more, but we’ll hold on to a much bigger chunk than we had 10 years ago. People will want to be part of that process still. You can listen to a record at your house all day long, or in your car, or on Spotify, and have no interaction with anyone else about it. But I think people like to be a part of it, in some sense. That’s just a guess.”

And likely a good one.


The Scoop on Vinyl

Like any new hobby, getting into record collecting can be a little intimidating. We asked Enoch Marchant, co-owner of Raleigh’s Nice Price Books, to demystify vinyl for us novices. Here’s his advice.

Make sure record collecting is something you actually want to do. First, try and listen at someone else’s house. Records are not for everyone. Not everyone enjoys the process. Try it out before you spend hundreds of dollars on a turntable and records.

If you try out music on vinyl and you’re a fan…

Invest in a quality turntable. If you can avoid it, don’t get the Crosley turntable with the built-in speakers. They have a needle that will eventually wear out and destroy your records. [Nice Price] stocks Audio Technica. They’re ubiquitous and good. There’s also You Turn out of Boston. For a few hundred bucks, you can get a a turntable with speakers and a receiver, a great sounding thing that’s reliable and you can listen to anything on. If you’re going to spend any kind of money on records, you might as well get a turntable that won’t tear them up.

But don’t spend a fortune on records—at least, not at first. Buy dollar records, cheap records, I would certainly start in the dollar bin. Part of the fun is discovery and finding music you didn’t know existed. Wait a second before you buy a $100 record. Lots of albums are still being re-issued; there may be ones that, right now, there are only $100 copies. But the label is going to put out a copy for $20 soon.

What’s the deal with the different sizes? Normally a turntable’s platter is 12 1/4 inches, just a little bigger than a normal record. A 12-inch vinyl LP (Long Playing) spins at 33 1⁄3 rpm (rotations per minute). 45s (the 7-inch records) run at a speed of 45 rotations per minute. They’re like singles and hold less than five minutes of music. They’re mainly just collectibles today.

Any other advice?

Start slow. You’ll find where you want to be after a while. Records hold value a little bit so if you’ve listened to something enough and don’t feel married to it, you can sell it or trade it in for something else.

Don’t go on message boards too much. For every new record, there’s someone on a message board who says, “It sounds great, it’s perfect, go buy it” and one who says “It’s utter trash.” There are too many voices in the room about that stuff.

There are no guilty pleasures as far as music is concerned. Get whatever record you want. Don’t feel beholden to the “50 Albums You Need to Hear” lists. Those are fine, but if you like something other people think is whack, you should still get it.

Farewell to Drunktown?

Farewell to Drunktown?

Changes are coming to downtown’s unofficial entertainment district; will perceptions of Glenwood South begin to change?

Raleigh is of two minds about Glenwood South.

On the one hand, it’s the city’s fastest-growing downtown district with more than $830 million in investment in the last four years. Massive mixed use complexes frame its southern and northern ends—One Glenwood and N. West Street’s Smokey Hollow, respectively—adding hundreds of thousands of square feet in office space and retail. And the Glenwood South district has seen the most residential growth recently, with a third of all new and planned units downtown.

On the other hand, there’s a flavor of local snobbery about Glenwood South.

Comparisons to the Jersey shore abound and it was vaguely lumped into “Drunktown,” a poorly executed political ad campaign targeting candidates who supported outdoor dining on city sidewalks during the run-up to the 2015 City Council elections. The semi-satirical ITB Insider media brand and its associated Twitter account, @WNFIV, refer to it as “Gelwood South,” and reports of fights and shootings get amplified in media (and on social media) as if it’s the only place in Raleigh where crimes occur.

But Glenwood South residents and business owners say that perception of their neighborhood is inaccurate and unfortunate. “Ninety-five percent of the time, we don’t have any issues,” says Larry Miller, who lives at 510 Glenwood, the condos above the Plus Dueling Piano Bar. “If you move there, you know there’s going to be noise on the weekends and I don’t see any big pressure to have to do something to change it.”

Still, Glenwood South is changing. And while its likely to keep its reputation as a weekend party spot, it will also come to be known more widely, and appreciated, for its other assets and amenities.

“[Development] will start to change the district,” says Bill King, president and CEO of the Downtown Raleigh Alliance. “Now, it’s really busy evenings and weekends, but during the daytime, foot traffic is less consistent. More office space will add daytime foot traffic to support more retail and restaurants.”

Leading Downtown Growth

There’s a case to be made that downtown Raleigh’s revitalization actually began on Glenwood South and not necessarily with the re-opening of Fayetteville Street to car traffic in 2006.

In the mid-1990s, independent merchants—many of them immigrants to the United States—began opening businesses along the stretch of road running from Hillsborough Street to Peace Street leading out of downtown. “All the growth was really organic, it all just happened,” says Jim Belt, who moved to Glenwood South in 2001 and founded the merchants-residents group the Glenwood South Neighborhood Collaborative in 2014. “We’re really more of a neighborhood than a district in that sense.”

Hibernian Irish Pub & Restaurant

Hibernian Irish Pub & Restaurant

One such immigrant business owner, Niall Hanley, opened Hibernian, an Irish pub and restaurant, on Glenwood 20 years ago next spring. Others followed suit and Hanley himself has opened several more businesses (including the Raleigh Beer Garden and Solas) on Glenwood and elsewhere downtown.

“It’s incredible seeing the evolution and ebbs and flow of downtown and back to Glenwood,” says Hanley, who recalls when Hibernian and Sullivan’s Steakhouse were the only two options available.

In 2014, in an attempt to encourage Glenwood South’s growth and to assuage resident complaints about noise, Raleigh’s City Council piloted what was called the Glenwood South Hospitality District, making it easier for businesses to obtain permits to play music during the night hours as long as permit holders designated a manager to deal with complaints from nearby residents. The guidelines were successful and became a permanent fixture. Today, says Miller, the current president of the Glenwood South Neighborhood Collaborative, taking up issues with business owners—as opposed to involving the police—continues to be a successful strategy.

Focusing on the Good

But there are problems still, in bar-heavy Glenwood South (and on Fayetteville Street), especially on weekends. This spring, Council members received a report on ways to potentially make Glenwood South safer following a spate of closing time shootings, including a fatal shooting in a parking deck, fights and “quality of life” violations such as public intoxication, indecent exposure and drug offenses. This spring, the News and Observer reported that, of 132 guns police officers confiscated downtown in 2018, 57 were seized in Glenwood South

In response, the Raleigh Police Department Downtown District has adopted an egress plan that involves “the placement of police resources (officers and vehicles) at locations to ensure availability” during closing times, minimizing traffic congestion and ensuring “delivery of any emergency services that may be needed,” according to RPD spokesperson Donna-maria Harris.

“All areas of the city present challenges at times,” Harris wrote in an email to Raleigh Magazine. “Our officers strive to serve this area with professionalism and are encouraged to seek opportunities to engage our community in positive ways.”

“You will always have teething problems in general when people start showing up,” says Hibernian’s Hanley. “People are the one thing you cannot control.”

And while Glenwood South’s problems have long been the subject of outsized and, arguably, unfair scrutiny, residents say they are not reflective of their neighborhood as a whole.

They’d rather focus on the positives, like public art—an area Glenwood South pioneered, with residents knitting tree sweaters and snowflakes and painting colorful murals onto crosswalks in years past—and resident groups doing good. Glenwood Gatherings, a group of residents who get together weekly to work on artsy projects, recently honored the neighborhood’s immigrant spirit by crocheting several dozen sleeping mats out of plastic bags to gift to refugees.

“We have a lot of good artists in [Glenwood South], and also, businesses cooperating in letting the neighborhood use their places for [public art],” says Belt.

Looking to the Future

Glenwood South residents, business owners and other investors and stakeholder groups like the DRA say that the perception of Glenwood South as being strictly a raucous party area are misplaced.

“It’s a misperception, based off of a perception of a handful of bars, that is applied broadly to the district as a whole,” says DRA’s King. “I don’t think it’s a particularly fair thing to say about the district. There is a lot more fabric to [Glenwood South] than just some clubs.”

Indeed, Glenwood South is home to high-end restaurants and bars including C. Grace, Plates Kitchen, Vidrio and The Cortez, whose chef, Oscar Diaz, was recently named as a James Beard Award semi-finalist. Raleigh Beer Garden, with the largest beer selection in the world, has become an internationally known tourist destination, and one of many businesses driving the district’s position citywide as a top generator of downtown’s food and beverage tax revenues (food and drink sales downtown totaled $240 million in 2018). New hotels in Glenwood South, including the upcoming Origin and Willard, means more space for visitors to sleep and independently owned shops and businesses, such as Revolver Boutique and Raleigh Vintage, The Cupcake Shoppe and The Raleigh Wine Shop, Soundoff Records and Glenwood South Tailor and Alterations, help maintain its homegrown, uniquely local feel.

There are differing opinions floating around on how Glenwood South will change with all the new development, however.

Belt foresees fewer bars opening as property along Glenwood South becomes more expensive. “That’s already happened, there are fewer bars than there were a year ago, and that will continue,” Belt says. But Miller says bars are Glenwood South’s bread and butter. “Bars generate more money being open three days a week than any retail business can generate being open seven days a week,” he says. “So if development drives up rents, it’s not going to drive out bars.”

But residents and business owners seem to agree on a few things They want density and a diverse mix of architectural styles—not just high rises, but not just buildings limited to a few stories either—and they want Glenwood South to stay more independent and less corporate. They also say the City could do more to help maintain Glenwood South and alleviate issues, including requiring soundproofing for new buildings, repairing sidewalks and landscaping the areas around trees which have worn out.

So, is it time to retire the “Gelwood South” moniker and stop joking about annexing the district to outside the Beltline?

“I’ve seen a lot of change,” says Hibernian’s Hanley. “All the new construction, the hotels, shopping and residential, it’s fantastic. I see Glenwood South becoming a true mixed use neighborhood, not just the place you go because there’s the most bars. You’ve got all the bits and pieces. I’m excited for the future.”

Downtown Developments

Downtown Developments

Cranes sprinkle the skyline and it seems like, in downtown Raleigh, you couldn’t swing a cat without hitting a new building. With the sleek condos and townhomes, glitzy hotels, and retail and office square footage galore, we’re here to help you keep it all straight. This is what’s under construction now.

WHAT’S BEING BUILT

1. The Fairweather
525 S West St

Mixed-use (Condos/Retail)

45 Units/1,836 SF Retail

Investment not announced

2. FNB Tower
511 Fayetteville St

Mixed-use (Office/Residential)

157,000 SF/ 239 Units/
11,011 SF Retail

$118,000,000 Investment

3. 107 West Hargett St

Mixed-use (Retail/Office)

17,364 SF Office/
3,789 SF Retail

$4,000,000 Investment

4. Origin Hotel
2 Glenwood Ave

Hotel

126 Rooms/4,000 SF

Investment not announced

5. Tower 2
at Bloc 83

Mixed-use (Office/Retail)

241,500 SF Office/
30,000 SF Retail

$108,000,000 Investment

6. 301 Hillsborough St

Mixed-use (Office/Retail)

280,000 SF Office/
12,500 SF Retail

$160,000,000 Investment

7. The Saint
220 St. Marys St

Townhomes

17 Units

$23,000,000 Investment

Source: DRA Annual Report /Triangle Business Journal

8. The Willard
21 Glenwood Ave

Hotel

147 Rooms/3,860 SF

Investment not announced

9. Longleaf Hotel

300 N Dawson St

Hotel

57 Rooms

$6,000,000 Investment

10. Smokey Hollow Phase I & II

Mixed-use

(Office /Residential/Retail)

Phase I – 417 Units/

50,600 SF Retail

$150,000,000 Investment

Phase II – 225,000 SF Office/283 Units/

42,040 SF Retail

Investment not announced

11. 911 N West St

Mixed-use (Retail/Office)

13,540 SF Office/

5,760 SF Retail

Investment not announced

Mobile Law

Mobile Law

A Raleigh firm brings free legal advice to the people.

There’s a blue, yellow and white Winnebago with men clad in polos, flip flops and sunglasses parked outside in lawn chairs. It’s also before noon, on a weekday and in a Food Lion parking lot, so no, you’ll surmise, this isn’t a scene from a low-key, mid-summer, out-of-state tailgate; actually, it’s business, a mobile law office, the first of its kind in North Carolina and one of just a few such models in the country. 

For two or three times a week since April, the members of the Raleigh firm Osborn Gambale Beckley and Budd have been bringing their services with an RV and wireless hotspots, to where the people are. They post up in shopping centers, parking lots or near busy bus stops—the Raleigh Boulevard Shopping Center, or Forest Hills in Garner, for instance, are ideal—and wait for folks to come to them for legal advice for free. 

“We were adamant we didn’t want any type of means testing, no income requirements,” says Justin Osborn, one of the firm’s founding members. “We meet people from a lot of walks of life. But, predominantly, it’s middle class to lower income individuals because of the areas we pop up in, where people work extended hours and are unable to get to a law firm, or have difficulty.”

The attorneys—Osborn, Matt Gambale, Seth Beckley and Joe Budd—all left corporate jobs with a desire to help address the obstacles that prevent people from seeking out needed legal services. In their new roles, they advise on everything from traffic violations and accidents to personal injury, wills and trusts, employment and housing discrimination, insurance disputes and criminal matters. The RV offers privacy (and air conditioning) and, often, the lawyers can resolve issues in a single sitting. People who need more help are taken on as clients or referred to partners, including other attorneys, Legal Aid, clinics and local law school initiatives. For the days they’re not manning the RV, the lawyers are working in offices or in court. 

Justin Osborn, Matt Gambale, Seth Beckley and Joe Budd
Attorneys Justin Osborn, Matt Gambale, Seth Beckley and Joe Budd

Full prices for legal services are clearly laid out on the firm’s website, but profit wasn’t the motive that put the lawyers’ idea to start their own firm, using a pop-up, mobile office, into motion; rather, it was the opportunity to serve the wider community.

“Working on behalf of individuals was our favorite, the most rewarding aspects of what we were doing in our previous lines of work,” explains Budd. “We were all looking for a vehicle, or a method, to find more of that and less of…”

“Representing corporate interests,” says Gamable. “There were impediments to doing this kind of thing with the frequency we all wanted to do it. Now, if we want to give away our services two days a week, we can without having to cut through red tape or explain things to management.”

As their business gets off the ground, the lawyers, who have assisted around 400 people pro bono so far, say they hope to be able to host pop-up hours more frequently, to partner with other organizations who can use the RV and to show up at more events where they can help out, including Wills for Heroes clinics and events in the LGBTQ community.

“Repetition is key,” says Beckley. “Every single time we pop up, somebody comes up and asks how often we’re here. The more often we can be at places, the more receptive the community will be to coming up and talking to us.”

It’s all, they explain, part of a larger goal: to build trust.

“Building goodwill is really important,” says Gambale. “Helping people without charging them, talking to them about their problems, can lay the groundwork for them. Being available to communities who have a little mistrust, or there’s a degree of unavailability or they don’t feel like connecting with a lawyer—we provide that opportunity. We want to build a reputation with communities that may have a bad taste in their mouth about lawyers. And we’re trying to get people to change their minds.” 

For more info, a pop-up calendar and pricing visit OGGB’s website at counselcarolina.com.