What’s summertime without a soundtrack? Regardless of your personal playlist for the season, a handful of songs always rise to the top—and during the best summers, just one track takes the crown, going down in history as the unofficial “Song of the Summer.”
Occasionally, it’s a pick that the masses can get behind. Read: Neutral pop hits like “I Gotta Feeling” by The Black Eyed Peas or “As It Was” by Harry Styles proved agreeable, relatively undisputed anthems in 2009 and 2022, respectively. Other years, the seemingly christened song is endlessly debated (2025 is still undecided), or leaves everyone scratching their heads—think “Old Town Road” by Lil Nas X in 2019. And more often than not, an unexpected late July release sweeps the charts and steals the title.
Regardless of the song, the spirit of summer holds fast: Hear the track and you’ll be immediately transported back—whether you like it or not. But it’s not just whatever happened to dominate radio roulette; it’s a swath of rising stars, superstars, and breakout genres shaping the season in real time. Think of it as a form of cultural carbon dating.
Here, we break down some of the top contenders* for the 2026 title.
“Stateside + Zara Larsson” by PinkPantheress
GENRE: Girlboss bop bordering on hyperpop Descendant of: “Espresso” by Sabrina Carpenter (2024) Vibe check: Pitbull’s “International Love” but for the girls Soulmate: Alysa Liu
“drop dead” by Olivia Rodrigo
GENRE: Soundtrack for closing credits of a 2000s rom-com Descendant of: “Running Up That Hill” by Kate Bush (2022) Vibe check: Synth-pop for Swifties Soulmate: Sofia Coppola
“Click Clack Symphony.” by RAYE and Hans Zimmer
GENRE: Show tune meets film score meets girlboss pop Descendant of: “Lights” by Ellie Goulding (2012) Vibe check: A would-be flawless fit in the Ocean’s 8 soundtrack Soulmate: Maya Rudolph
“I Just Might” by Bruno Mars
GENRE: Little bit of disco, little bit of soul Descendant of: “Uptown Funk” by Mark Ronson (2014) Vibe check: Your middle-aged mom’s favorite song for the next year Soulmate: Christine Baranski
“E85” by Don Toliver
GENRE: Melodic rap with a touch of indie R&B Descendant of: “NOKIA” by Drake (2025) Vibe check: Mellow, high-performance + low maintenance Soulmate: Jenna Ortega
“Midnight Sun” by Zara Larsson
GENRE: Sparkly dolphin electro-pop Descendant of: “Lush Life” by Zara Larsson (2015) Vibe check: Going straight from the beach to the club Soulmate: Paris Hilton
“Doors” by Noah Kahan
GENRE: Crunchy campfire folk tune Descendant of: “Ho Hey” by The Lumineers (2012) Vibe check: The optimal Subaru Outback song Soulmate: Stevie Nicks
“Babydoll” by Dominic Fike
GENRE: A little performative but very lovable indie pop Descendant of: “Circles” by Post Malone (2020) Vibe check: Sounds like it smokes cigarettes + carries a tote bag Soulmate: Paul Mescal
“SWIM” by BTS
GENRE: Emotional yet reassuring electronica K-pop Descendant of: “Sunflower” by Post Malone and Swae Lee (2019) Vibe check: Slow night drive through a cityscape Soulmate: Billie Eilish
“Aperture” by Harry Styles
GENRE: Euphoric but slow-burning dance hymn Descendant of: “Heat Waves” by Glass Animals (2022) Vibe check: Charli xcx’s brat summer, reheated (sorry not sorry) Soulmate: Troye Sivan
“Going Shopping” by The Strokes
GENRE: Tears for Fears revival synth rock Descendant of: “Get Lucky” by Daft Punk (2013) Vibe check: A mild + modern take on NYC indie sleaze Soulmate: Sombr
Inside the cultural pivot making singlehood a point of pride
In the age of boyfriend gate—when having a boyfriend has officially jumped the shark—it’s never been cooler, calmer or more socially acceptable to be single. To be clear: The “boyfriend cringe” moment is about heterosexual norms—not all partnerships. Other kinds of relationships don’t carry the same cultural baggage the meme is poking at.
As British Vogueput it: “Being partnered is no longer considered an achievement, and, if anything, it becomes more of a flex to pronounce yourself single.” It’s the perfect cocktail of dating (and marriage) fatigue plus “I’m actually good alone.” Call it the relationship recession—The Economistliterally did.
Women—and the world—are realizing their relationship status is the least interesting thing about them. Boyfriends aren’t just out of style—they’ve been recast as “embarrassing” and benched until they’re worth the emotional bandwidth.
Brass tacks: Relationships have always been transactional. For generations, women needed men for financial stability while they were relegated to the home. But the last five decades blew that model wide open, as women secured their own credit cards, mortgages and careers, climbing the corporate ladder to “boss” status. Now, the cultural currency is finally catching up.
The baked-in imbalance in the OG script is impossible to ignore. “Beyoncé could work at Burger King and still marry Jay-Z; the opposite is not true,” says Scott Galloway, entrepreneur, professor and host of The Prof G Pod. Women don’t want to—nor should have to—dumb down to date up. Especially now that women outpace men in earnings and degrees in major metros—and are launching businesses at record rates.
Cue the collective “aha” moment. If the financial transaction is no longer necessary, women are finally asking: How does a relationship actually serve me? And that epiphany went viral—spreading from the think-piece trenches to social feeds—where memes, magazines and macroinfluencers all hammered home two truths. One, women are so much more than their relationship, and, two, a connection is only worth pursuing if it provides added emotional value. So, not all the single ladies are looking to put a ring on it.
The data mirrors the vibes. Surveys of single women consistently point to the imbalance of emotional labor as exhausting. A new Hinge study sharpens the picture: 81% of single women 35+ say they’d rather stay single for life than be with the wrong person (compared to just 39% of men). And a major study of midlife “silver splitters” (45–65) found nearly one-third of women are happier than ever post-divorce. Meanwhile, marriage rates continue to nosedive, falling to just ~6 per 1,000 people—the lowest in American history.
Looking ahead, analysts project that by 2030 roughly half of women ages 25–45 will be single by choice. With women out-earning, out-degreeing and out-autonomizing men in nearly every measurable way, the old “why aren’t you partnered?” is starting to feel like the wrong question—yet perhaps easier to answer than ever.
To wit, the decorum around singlehood—how it’s framed, judged and interrogated—is rapidly evolving. What was once treated as a personal failing is now a point of pride. Maybe Carrie Bradshaw was ahead of her time. “Maybe our girlfriends are our soulmates, and guys are just people to have fun with.” In other words, we’re Barbie, and they’re just Ken.
BTN: The Stat Story 28.6 Median age for first-married women (2025 Census) 30.4 Median age for first-married men (2025 Census) 49% New businesses started by women in 2024—a 69% jump from 2019 ~79% → ~47% U.S. married households historic peak 1949 vs. today’s low 81% Single women 35+ who prefer singlehood over the wrong partner (Hinge) 50%+ Single women who say they aren’t even looking (Pew/Match)