The 36th annual MerleFest promises something for every musical taste.
The North Carolina foothills are about to come alive again with the sound of music (someone call Julie Andrews!). The 36th edition of MerleFest—the annual celebration of “traditional-plus” music (think a mix of bluegrass, newgrass, blues, country, rock, folk and more)—is rolling through Wilkes Community College campus in Wilkesboro April 25–28.
Founded by late legend Doc Watson, the Americana fest—named after Watson’s son and fellow picker, Merle—promises something for every musical taste, with 100+ musicians taking to 13 stages throughout the weekend. A musical choose your own adventure, if you will. Nearly 80,000 festivalgoers from across the country and beyond are expected to attend this year’s festival, according to MerleFest Director Frederick “B” William Townes IV, affectionately known as the father of MerleFest.
Want to go to MerleFest for free? The festival is still looking for volunteers, which typically number more than 4,000! Email [email protected] to learn more.
Also a boon for the community, the economic impact totals ~$12–15 million, with the revenue serving 45 local nonprofits. “It grew from a one-day one-man concert to a two-day multistage festival,” he adds—“and, as they say, the rest is history.”
And while on that quest for the next musical phenom, don’t miss the annual MerleFest Band Competition, which allows you to hear previously unknown talents (and the next big thing) from across the country as they compete on the Plaza Stage on Saturday for the coveted spot of performing on the festival’s Hillside Stage on Sunday. That is, of course, if you’re not too tired out to catch the winners after staying up for the rollicking Saturday Night Jam or from the Dance Tent. (Push through—you won’t regret it!)Beyond all the great sets, the second-largest tourist draw to North Carolina is about so much more than the music. There’s shopping, a wide range of local fare, nature walk ops and documentary screenings. But, most importantly, it’s about the people—from the longtime volunteers to the fans who have never missed a festival to the first-time attendees. Jerry Douglas, master dobro player of Alison Krauss & Union Station and the Earls of Leicester, calls it a homecoming and a reunion for the musicians as well as their fans. We couldn’t have said it better ourselves. One-day tickets from $80, multiday tickets from $205, merlefest.org
Spring 🤝 live music. Kicking off concert season is MerleFest, a celebration of “traditional plus” music (aka a unique mix of sounds from the Appalachian region—think bluegrass, Americana, country, blues, rock and others) taking place April 27–30 at Wilkesboro Community College. The term was coined by the late, great Doc Watson, who founded the festival 35 years ago to honor and remember his son and fellow picker Merle.
This year marks what would have been Watson’s 100th birthday and festival organizers have pulled out all the stops to celebrate, including one of the most impressive lineup of headliners the festival has ever hosted (!).
Acts include NC’s own The Avett Brothers; Southern rockers The Black Crowes’ Chris and Rich Robinson; Little Feat and Marcus King; the reunited acoustic Nickel Creek; country phenoms Maren Morris, Lori McKenna, Miko Marks and Tanya Tucker; guitar virtuoso Tommy Emmanuel; and perennial MerleFest fan-favorites Sam Bush, Jerry Douglas and house band Scythian—just to name a few.
While it’s almost always the headliners that draw in the crowds, it’s the myriad other artists—the ones found in the small print on the bottom of the festival poster—that make MerleFest so special. That’s because those lower-tier acts playing on the Creekside or Cabin stages today often find themselves as the headliners on the main Watson Stage in a few short years. And that’s when you can brag that you “discovered” the latest “overnight” success. It’s win-win!
On that quest for the next musical phenom, don’t miss the annual MerleFest Band Competition. The contest allows festival attendees to hear previously unknown talents from across the country as they compete on the Plaza Stage on Saturday for the coveted spot of performing on the festival’s Cabin Stage in front of thousands of festivalgoers.
Of course, MerleFest is about so much more than the music that’s played on more than a dozen stages, around campfires and in spontaneous picking circles that pop up all over the rolling campus. It’s about shopping at unique vendors and eating a variety of yummy local fare, which also supports the community in a variety of ways. Most importantly, it’s about the people—from the longtime volunteers to the fans who have never missed a festival in 35 years to the folks who will show up for the first time—but not their last. Think of it like both a homecoming and a reunion for the musicians and their fans.
“I love everything about MerleFest,” says Raleigh’s Danny Rosin, president and co-owner of Brand Fuel, who never misses attending the festival with a gang of family and friends. “But one of my favorite things about MerleFest is that I see folks there that I only see at MerleFest year after year. It’s really special.”
For this particular milestone event, organizers will also feature MerleFest’s unique history and present unique collaborations to honor the founding folk icon. In addition to the Doc-Centennial, not-to-be-missed traditions include Donna The Buffalo’s opening night dance party on Thursday, The Waybacks’ legendary Album Hour set on Saturday at the Hillside Stage, and a trio of Sunday morning gospel sets at the Creekside Stage. Another highlight will be Doc Watson’s 100th Birthday Jam hosted by The Kruger Brothers on Saturday. Also new this year: My Name Is Merle, director Robert Kinlaw’s latest documentary, is set to premiere Saturday at 4:30pm at the Walker Center.
The weekend forecast currently anticipates rain—but would it really be MerleFest if it didn’t?! No matter what, it won’t stop the music. Rock on!
IBMA Bluegrass Live! festivities move indoors for the second time in 10 years in anticipation of Hurricane Ian. Here’s what to expect.
In 2015, bands of rain from Hurricane Joachin came down on Raleigh, soaking artists, vendors and attendees of bluegrass music’s biggest week—leaving organizers scrambling to move the International Bluegrass Music Association’s IBMA Bluegrass Live! festivities indoors to the relative comfort of the city’s convention center.
Fast-forward seven years and IBMA’s organizers announced Sept. 27 that all outdoor festivities associated with this weekend’s IBMA Bluegrass Live! will move indoors, due to expected rain and wind from Hurricane Ian as it approaches the western shores of Florida.
“The music will go on,” said IBMA Executive Director Pat Morris at the IBMA welcome reception celebrating the festival’s 10th year in the Cap City. “We have a fantastic week lined up.”
This year, however, will be different than 2015, when the ticketed festival and the free street events were all suddenly forced into the confines of the convention center. What won’t change is several days of bluegrass tunes ringing throughout the facility—some planned in ballrooms and convention rooms, others spontaneously erupting into jam sessions filling up the facility’s not-so-hidden corners and even in hallways and on staircases.
One major difference: The ticketed Main Stage performances—originally planned for Red Hat Amphitheater adjacent to the convention center—will take the stage in the Raleigh Memorial Auditorium at the Duke Energy Center for the Performing Arts. Reserved seating bought in advance will be honored, but, unfortunately, fans hoping for a free general admission ticket to see headliners such as the infamous Stringdusters, Jerry Douglas and Molly Tuttle may be out of luck. Organizers are still working out details to try to make some free seating available.
On a positive note, there’s still a lot of free entertainment to take in. All previously scheduled performances at the five free Street Stages are moving into the Raleigh Convention Center, along with all 115 vendors—from the Art Market to Shop Local to Black Friday Market. Also on tap indoors will be the beer garden, PNC Porch, jam “tents” and other activities.
Mayor Mary-Ann Baldwin said the resiliency of the organizers and the City of Raleigh is similar to that often sung about in bluegrass music, as well as the genre itself, which celebrated its 75th anniversary during the height of the pandemic.
“Whether you have been here before or it’s your first time, you are in for great entertainment,” she told the crowd in the RCC ballroom. “We did this in 2015 and it turned out great, and it’s going to be great again.”
Baldwin added she hopes IBMA will return to Raleigh for another 10 years. “The best part of IBMA is you get to be part of this unique experience and community,” she said. “It’s about bringing people together.” Stay dry—and keep dancin’. Sept. 30–Oct. 1, worldofbluegrass.org/festival
